Partitions Numériques de It's a Sin to Tell a Lie pour Trio à Cordes: violon, alto, violoncelle

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It's a Sin to Tell a Lie
Non classifié 40

Piano & claviers
Piano seul 17
Piano, Voix et Guitare 12
Piano, Voix 4
Piano Facile 2
Piano grosses notes 1

Instruments en Do 1

+ 1 instrumentations

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Guitares
Guitare 3
Ukulele 3
Guitare notes et tablatures 2
Banjo 2
Paroles et Accords 1

Ligne De Mélodie, (Paroles) et Accords 1

+ 1 instrumentations

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Voix
Chorale SATB 11
Chorale TTBB 8
Chorale 3 parties 4
Chorale 2 parties 4
Chorale SSAA 1

Chorale SSATTB 1
Chorale Unison 1
Voix duo, Piano 1

+ 3 instrumentations

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Vents
Quatuor de Saxophones: 4 saxophones 2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 2
Flûte traversière et Piano 1
2 Saxophones (duo) 1
Flûte, Hautbois, Clarinette, Basson 1

Clarinette, Trompette (duo) 1
Flûte et Guitare 1

+ 2 instrumentations

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Cuivres
Quatuor de Cuivres 2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 2
Quatuor de Cuivres : 2 trompettes, trombone, tuba 2
2 Trompettes (duo) 1
Quatuor de Cuivres: 2 trompettes, Cor, trombone 1

Cor et Piano 1

+ 1 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 3
Trio à Cordes: violon, alto, violoncelle 2

Violon et Piano 1
Alto seul 1
Harpe 1

Contre Basse 1

+ 1 instrumentations

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Percussions & orchestre
Jazz combo 6
Orchestre 6
Orchestre de chambre 5
Orchestre d'harmonie 4
Ensemble Jazz 4

Orchestre à Cordes 2
Ensemble de cuivres 2
Cloches 1

+ 3 instrumentations

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It's a Sin to Tell a Lie

Trio à Cordes: violon, alto, violoncelle

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2 partitions trouvées

In the Sweet By and By hymn for string trio

In the Sweet By and By hymn for string trio #Trio à Cordes: violon, alto, violoncelle #and By! Why would not that mak #SMT Music #In the Sweet By and By hymn fo #SMT Music #SheetMusicPlus

String Ensemble,String Trio - SKU: A0.749761 Arranged by SMT Music. Christian,Folk,Holiday,Patriotic,Sacred,Standards. Score and parts. 10 pages. SMT Mu...(+)

String Ensemble,String Trio - SKU: A0.749761 Arranged by SMT Music. Christian,Folk,Holiday,Patriotic,Sacred,Standards. Score and parts. 10 pages. SMT Music #6286217. Published by SMT Music (A0.749761). (published in 1868) Mr. Webster, like many musicians, was of an exceedingly nervous and sensitive nature, and subject to periods of depression, in which he looked upon the dark side of all things in life. I had learned his peculiarities so well that on meeting him I could tell at a glance if he was melancholy, and had found that I could rouse him up by giving him a new song to work on. He came into my place of business [in Elkhorn, Wisconsin], walked down to the stove, and turned his back on me without speaking. I was at my desk. Turning to him, I said, Webster, what is the matter now? It's no matter, he replied, it will be all right by and by. The idea of the hymn came me like a flash of sunlight, and I replied, The Sweet By and By! Why would not that make a good hymn? Maybe it would, he said indifferently. Turning to my desk I penned the words of the hymn as fast as I could write. I handed the words to Webster. As he read his eyes kindled, and stepping to the desk he began writing the notes. Taking his violin, he played the melody and then jotted down the notes of the chorus. It was not over thirty minutes from the time I took my pen to write the words before two friends with Webster and myself were singing the hymn.-Sanford Fillmore Bennett (1836-1898)[2].

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Mysterious Moment for alto flute and string trio

Mysterious Moment for alto flute and string trio #Trio à Cordes: violon, alto, violoncelle #INTERMÉDIAIRE #Contemporain #David Warin Solomons #Mysterious Moment for alto flu #David Warin Solomons #SheetMusicPlus

String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Wari...(+)

String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.

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